Exhibit of Four Corners photography opens this week at MNCH

Pueblo Alto photograph by Jon Meyers
Pueblo Alto photograph by Jon Meyers

"Silent Spaces," an exhibition of photographs by Eugene artist Jon Meyers that capture scenes of the Four Corners area of the United States, opens Wednesday, March 6, at the University of Oregon's Museum of Natural and Cultural History.

The exhibition features 30 large-format photographs of Hovenweep National Monument and Chaco Canyon National Park in the Four Corners region of the American Southwest. Four Corners is where the borders of southwestern Colorado, northwestern New Mexico, northeastern Arizona and southeastern Utah come together.

"Silent Spaces" will be on display until July 21.

The museum, at 1680 E. 15th Ave., will host an artist's reception for "Silent Spaces" from 6 p.m. to 8 p.m. on Friday, March 8. The event is free and open to the public.

Meyers' photographs document his recent journeys to the Four Corners area, where he encountered the sagebrush-covered ruins at Hovenweep and Chaco Canyon.

"The Four Corners reminds me so much of our own high desert here in Oregon, except that it was once populated by a culture that left a profound imprint on the landscape," Meyers says.

His work explores the culture through the structures that remain in the area today.

"I've tried to show the workmanship, the craft and the skill that went into building them," Meyers says. "There was no scaffolding, no forklift; this was purely human drive at work."

In addition to the ruins, the photographs embrace the area's stark landscape and the contemplative solitude that he experienced while producing this body of work.

"I found lonely ruins in the middle of nowhere, far from anyone," he says. "I knew I was someplace special -- a sacred place – and I knew I wanted to make photographs there."

The exhibition's interpretive features describe the artist's photographic methods, provide background on the Four Corners region and discuss efforts to preserve the historic sites depicted in Meyers' work.